facebook pixel

起点传媒

Back to Blog
African American Female Student Stands In University Library, Looking For A Book

How to Build an Engaging Classroom Library

This post was written by 起点传媒member Jason D. DeHart, reprinted with permission from .

As an educator who has served in higher education, teaching pre-service and in-service teachers, and as someone who is currently working with learners in classrooms every day, I have a growing interest in ensuring that students see themselves as readers. I also know from first-hand experience that book-matching and literacy engagement are much harder to cultivate in practice than in theory.

Exploring new authors and expanding classroom reading choices is a never-ending process in our work with students. Because of that, I advocate for a wide-ranging classroom library for upper elementary and middle-grades readers, including prose, verse novels, poetry, illustrated novels, and graphic novels (as well as hybrid/fusion texts of all kinds).

HIGHLIGHT FEATURES IN TEXTS AND LINK THEM TO INSTRUCTION

As an avid reader, I fondly recall teachers who took the time to get to know me and recommend texts based on my interests and hobbies, as well as my field of study. This process is about more than matching text levels or stopping at interests. To engage young readers, it鈥檚 important for teachers to strike a careful balance between knowing the reader and having a keen eye for the affordances that a text can offer.

Every text brings features that teachers can link to instruction and, often enough, to one additional text. Reading with a teacher鈥檚 lens is all about noting the opportunities for connecting with students and advancing learning moments. Part of this is the practice of engaging readers. The other part of practice is being judicious in the midst of our difficult work as we note whether or not the texts we chose meet the standards and lesson objectives, as well as the demands of curriculum.

While classics can be celebrated, I鈥檓 increasingly drawn to contemporary literature that includes potential avenues of classroom reading.听听offer a close focus on characters and perspectives.听 expand on the use of images to support comprehension, and the juxtaposition of images and words in illustrated novels and illustrated/hybrid texts works effectively to convey meaning.

See also  Native American Heritage in the ELA Classroom

Although I love all of these forms, I have never found a magic genre or medium that engages all readers equally. This is part of why reading widely is ongoing work. Sometimes, I even run across a text that I鈥檓 sure will be a hit, only to find that a student doesn鈥檛 immediately engage with it because it doesn鈥檛 have the qualities that they鈥檙e looking for in their reading lives. If you鈥檙e required to teach classics, you could also draw upon parallel texts and authors to build deeper readings.

Some questions that you can ask in text encounters might include: Does the book in question offer a variety of characters? Does it contain additional features, like images and guides, that can help readers engage with the page? Is there a variety of rich language that students can encounter, even if the word count is not excessive? Does this text speak to my students鈥� lives in a relevant way?

ASSESS TEXT TOPICS AND ORIGINS, AND OFFER SUPPLEMENTS AS NEEDED

With all that reading choices can offer, I acknowledge that some texts, including curricula, don鈥檛 easily connect to some areas of content, and students benefit when those works are supplemented or combined with other texts. For example, a short written piece about an experience from an outside viewer can be much more impactful from an author who has lived that experience instead. Recently, when I was teaching Jerry Spinelli鈥檚 book听Milkweed, my students noted that the author was writing about another person鈥檚 experiences. By contrast, an author like听Elie Wiesel can speak directly to the Holocaust.

See also  New Year Brings New Ways to Connect with NCTE

Other examples might include texts where a particular literary feature is especially strong (for example, Zora Neale Hurston鈥檚 use of dialect in听Their Eyes Were Watching God) if teachers are seeking a text that addresses a specific style.听Additionally, sometimes it鈥檚 necessary to reach for a contemporary voice on a relevant topic to help students realize the power of literature to speak to the world around us. Jason Reynolds has recently written about the anxiety created by living in a pandemic (see听Ain鈥檛 Burned All the Bright, coauthored with Jason Griffin.

Again thinking of classic literature, the ways in which characters who exist outside of white maleness are depicted is one consideration. The identity and background of the author is another鈥攁re they speaking from an emic/insider perspective, or do we have to account for some assumptions or etic/outsider perspectives?

This acknowledgment helps me make the case for wide readership (for teachers and students) and intentional, active book-matching simply because no text can do all the work that we need. Some texts also have a shelf life; teachers and librarians can continue to explore what is contemporary and meaningful.

One title that stands out as relevant in the age of living through a pandemic is听New From Here, by Kelly Yang. As my students talk about the experience of mask breaks and the strange times we鈥檝e been living in, this novel has great affordances for thinking about what has transpired socially and emotionally in the past few years.

Sometimes, the invitation to process a difficult topic can be found in a well-chosen text.

CREATE OPPORTUNITIES FOR听DEEP DIVES

Finally, deep work can be found in both whole-class reading and structured group or individual reading times in the classroom.

Many of my students, even my best readers, don鈥檛 enjoy reading out loud. Some do and will perform for the class, but I want my students to be comfortable as we engage with texts. I can take the role of reader, we can read silently, some volunteers can read, and students can read together in small groups. Practices like round-robin reading and popcorn reading have been implemented for some time and continue to mingle literacy experiences with anxiety-creating moments that do little to build comprehension, much less a love for the written word.

See also  Celebrate the 2026 African American Read-In with Award-Winning Children鈥檚 Books

KEEP UP WITH RECENTLY PUBLISHED TEXTS

To teach reading means reviewing a great deal of what is published, and taking this blend of approaches can open up avenues for both support and conferencing about reading goals with students. There are a variety of places that we can travel online to gain insight into new books being published. While I鈥檓 known to spend lots of time linking to lists and sublists on Amazon, I also recommend the following sites:

Jason D. DeHart is a passionate educator, currently teaching English at Central Wilkes High School in Wilkesboro, North Carolina. He served as a middle grades English teacher for eight years and an assistant professor of reading education at Appalachian State University from 2019 to 2022. DeHart reviews books and interviews authors at his website, .

It is the policy of 起点传媒in all publications, including the Literacy & 起点传媒blog, to provide a forum for the open discussion of ideas concerning the content and the teaching of English and the language arts. Publicity accorded to any particular point of view does not imply endorsement by the Executive Committee, the Board of Directors, the staff, or the membership at large, except in announcements of policy, where such endorsement is clearly specified.听